Stile Antico sensibly brings a variety of pace to its performances… the singers inject plenty of Latin passion into their clear, English choral sound.

This has to be Stile Antico’s best album to date: it’s certainly their most gripping and, as ever with this ensemble, the vocal sound is sumptuous throughout… It’s rather thrilling therefore to hear Stile Antico… tap in to the dramatic excitement and atmospheric intensity now associated with these works.

Stile Antico’s performance – the settings for each day separated by plainsong – seems to capture that mix of austerity and contained intensity perfectly.

Stile Antico once again proves that they are, without doubt, one of the most impressive vocal ensembles before the public today.

Stile Antico’s arresting readings never felt imposed upon Victoria’s writing. Often, I couldn’t help feeling that these singers had unleashed rhetorical power that was always there, albeit under the surface.

Do your soul some good. Turn off the outside world, turn down the lights, and put this on. Bask in the glow of music that in its innocent simplicity, attains perfection.

Stile Antico are the perfect artists for this repertory, bringing equal measures of clarity and passion to the music.

The English singers of Stile Antico are able to point up all these features with the tip of a brush, often attaining truly exciting interpretations…

The astonishingly vivid Ascendente Jesu in naviculum, which tells of Jesus and his disciples at sea in a storm, probably best showcases Stile Antico’s extrovert potential… this album is one of their most engaging recordings.

Stile Antico… seem to penetrate to the expressive heart of the music. Add in gloriously clear and perfectly idiomatic sound from London’s All Hallows Church, and the end result is a superior album…