Live Performances
Their diction is crystal clear, and the tone and blend of the ensemble is particularly beautiful… a delicately lyrical close to an evening of exquisitely well-performed music.
Christian Carey, Sequenza 21 (April 17, 2025)
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Live Performances
Warmth, emotion and a metrical flexibility all the more striking for being achieved without a conductor. The singers seem telepathically linked…
Richard Morrisson, The Times (19th November, 2024)
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Live Performances
If the rest is anything like this opening event from Stile Antico, listeners would be well advised to flock to the Temple Church now.
Mark Berry, Seen and Heard International (1 July, 2023)
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Live Performances
…truly full of joy, light and hope. Those who say that English groups are cold should see the communicative Stile Antico live…
Simón Andueza, RITMO (10 April, 2023)
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Live Performances
The miraculous British group Stile Antico… perfectly assembled and well-tuned, balanced and united.
El Espagnol (8 April, 2023)
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Live Performances
As ever, the group’s balance was perfect… Stile Antico were in their element, expertly controlling texture and dynamic…
Barry Creasy, MusicOMH (8 December 2022)
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Live Performances
Cleverly crafted 45 minute videos that explore the background to each piece in terms of history, geography, politics and Zeitgeist… a splendid opportunity for fans of music of the period.
Barry Creasy, MusicOMH (13 May, 2021)
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Live Performances
It was obvious that every line had been dissected for its intent… consummate understanding of the idiom.
Barry Creasy, MusicOHM.com (1 April, 2021)
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Live Performances
A concert… that confirms the stature of Stile Antico beyond any doubt.
Colin Clarke, Seen and Heard International (23rd February, 2021)
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Live Performances
The superb, shining British vocal ensemble Stile Antico…
Zachary Woolfe, New York Times (10 Feb, 2020)
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Live Performances
Robert White’s Lamentations is home territory for Stile Antico, and, as would be expected, the performance was flawless.
Barry Creasy, musicOMH (12 June, 2019)
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Live Performances
A 12-piece vocal ensemble melds poetry about migration to a set of musical lamentations from the early 17th century with singularly powerful results
Michael Church, The Independent (13 June, 2019)
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