**** from The Times
Warmth, emotion and a metrical flexibility all the more striking for being achieved without a conductor. The singers seem telepathically linked…
Richard Morrisson, The Times (19th November, 2024)
Warmth, emotion and a metrical flexibility all the more striking for being achieved without a conductor. The singers seem telepathically linked…
Richard Morrisson, The Times (19th November, 2024)
If the rest is anything like this opening event from Stile Antico, listeners would be well advised to flock to the Temple Church now.
Mark Berry, Seen and Heard International (1 July, 2023)
…truly full of joy, light and hope. Those who say that English groups are cold should see the communicative Stile Antico live…
Simón Andueza, RITMO (10 April, 2023)
The miraculous British group Stile Antico… perfectly assembled and well-tuned, balanced and united.
El Espagnol (8 April, 2023)
As ever, the group’s balance was perfect… Stile Antico were in their element, expertly controlling texture and dynamic…
Barry Creasy, MusicOMH (8 December 2022)
Cleverly crafted 45 minute videos that explore the background to each piece in terms of history, geography, politics and Zeitgeist… a splendid opportunity for fans of music of the period.
Barry Creasy, MusicOMH (13 May, 2021)
It was obvious that every line had been dissected for its intent… consummate understanding of the idiom.
Barry Creasy, MusicOHM.com (1 April, 2021)
A concert… that confirms the stature of Stile Antico beyond any doubt.
Colin Clarke, Seen and Heard International (23rd February, 2021)
The superb, shining British vocal ensemble Stile Antico…
Zachary Woolfe, New York Times (10 Feb, 2020)
Robert White’s Lamentations is home territory for Stile Antico, and, as would be expected, the performance was flawless.
Barry Creasy, musicOMH (12 June, 2019)
A 12-piece vocal ensemble melds poetry about migration to a set of musical lamentations from the early 17th century with singularly powerful results
Michael Church, The Independent (13 June, 2019)
What a sound! Radiant, absolutely focused, extremely rich in overtones and earthy at the same time, it effortlessly filled the every corner of St. Mark’s Church.
Juliane Moghimi, Hannoversche Allgemeine (2 May, 2019)