An extraordinary event. The perfection of the ensemble was not only the vocal mastery of the individual members, but above all their unifying expression.

A journey of extraordinary quality… Polyphony as true chamber music.

Stile Antico offered a true masterclass in polyphonic interpretation… perfect intonation, exquisite blend, refined phrasing, and a profoundly humanistic understanding of the text…

Perhaps the highest and most consistent level of interpretation this year was achieved by the twelve singers of Stile Antico at the festival’s conclusion.

Stile Antico caressed the counterpoint into a smooth ribbon of precisely phrased sound, showing an almost telepathic rapport as the singers made eye contact.

Undoubtedly Beverley Minster suited the singers down to the ground: they were on top form… the music positively gleamed.

Wonderfully nuanced singing… near-telepathic understanding that comes from years of collaboration without that controlling figure in the middle.

Stile Antico specialises in music of the 16th century… sung with rich-hued warmth in the vocal sound, animation and vigour in the rhythms and an almost superhuman responsiveness between the singers.

The group treads the fine line of ‘historically informed performance’ perfectly, mingling a consummate understanding of the practice of the period with an attractive regard for the modern listener’s need for the drama of music written since.

Short but intense praise for the group Stile Antico…. their three-part anniversary concert at Wigmore Hall displayed their expertise in the repertoire they sing best

Their diction is crystal clear, and the tone and blend of the ensemble is particularly beautiful… a delicately lyrical close to an evening of exquisitely well-performed music. 

Warmth, emotion and a metrical flexibility all the more striking for being achieved without a conductor. The singers seem telepathically linked…