Review: Divine Theatre
This selection of motets, mostly for five or six voices, is unexpectedly rich in imagination, variety, and often sheer joyful energy, and the performances boast a high-quality technical brilliance.
Richard Fairman, Financial Times (20 January, 2017)
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Review: ReviewsReview: Divine Theatre
Stile Antico brings brilliantly to life this highly varied selection of Wert’s beautiful motets.
Jon Sobel, Blogcritics.com (January 18, 2017)
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Review: Live Performances
This was a perfectly constructed programme, delivered with a real sense of engagement with the ethos of the works performed and the texts set. We didn’t really need an encore of Gibbons’ ‘The Silver Swan’, but who would complain?
Claire Seymour, Opera Today (15 August, 2016)
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Review: Live Performances
Stile Antico brings a fresh, intelligent and collaborative approach to vocal polyphony… John Wilbye’s motet ‘Draw on Sweet Night’ closed this exquisite excursion into (mainly) sixteenth- and seventeenth-century polyphony.
Amanda-Jane Doran, Classical Source (15 August, 2016)
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Review: Live Performances
This was a fine and varied concert… by an adventurous ensemble with an insatiable curiosity for music from the past which is outside the mainstream.
Roger Jones, Seen and Heard (25 June, 2016)
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Review: Live Performances
Where some ensembles strive for a pure and almost disembodied sound, Stile Antico’s sound is earthy, robust, and very exciting.
Lisa Hirsch, San Francisco Classical Voice (13 April, 2016)
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Review: Live Performances
Fresh faced, highly trained, and undeniably gifted, the 12 singers employed a straight-tone style that bridged 400 years of vocal repertoire with unflagging urgency and imagination.
Sacha Evans, Bachtrack (26 January, 2016)
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Review: Live Performances
In tandem with the fine musicians of the Folger Consort and the Arcadia Viols, Stile Antico turned the church itself into an Arcadia of harmony, counterpoint, and song.
Jon Sopel, Blogcritics (26 January, 2015)
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Review: A Wondrous Mystery
This new CD fully lives up to the supreme blend of voices… a programme that reveals Stile Antico as one of the most fluent, perceptive interpreters of Renaisance polyphony.
Geoffrey Norris, The Telegraph (23 December, 2015)
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Review: Live Performances
To these three shrines come most of the best choirs from Britain and further afield, and on the evidence of A Wondrous Mystery on the second evening of the Temple Winter Festival, there’s none more sheerly perfect than Stile Antico, now 10 years old.
David Nice, The Arts Desk (16 December, 2015)
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Review: A Wondrous Mystery
Stile Antico has produced another pure-voiced, imaginatively programmed disc with this selection of mostly German Renaissance carols and motets.
Fiona Maddocks, The Observer (13 December, 2015)
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Review: A Wondrous Mystery
This is sure to be a justly popular Christmas choice. it is a smooth and assured album and both the ensemble sound and the individual voices are extremely attractive.
Edward Breen, Gramophone (December 2015)
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